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“Can I just show you one thing?” she asks. Kidman, who is wearing a floral-print Michael Kors dress, takes a seat on a couch across from me and puts our coffees on coasters printed with mug shots of famous musicians-Frank Sinatra, Mick Jagger, a stoic David Bowie, busted for pot in Rochester, New York, in 1976. We wind our way through the house, downstairs and around a corner into Urban’s cozy recording studio, which sits on the first floor and looks out onto the family’s backyard. When I arrive at her and Urban’s Nashville home, I assume there are going to be handlers upon handlers and probably a pair of publicists hovering above, suspended by wires. She’s been through all the showbiz fires and corn mazes, and remained both professionally intact and even something of a public mystery. There is also this: Kidman has been a wildly famous superstar more than half of my life, from the time she leaped off screens in Dead Calm and Days of Thunder and married Tom Cruise. it makes you shy, like you’re talking too much,” says John Cameron Mitchell, who directed her in 2010’s Rabbit Hole. In fashion, Kidman is known for quiet perfection, whether in sequined Nina Ricci or in high-necked Valentino couture, and has long possessed “that luminous thing. I’d watched her in her latest film, Queen of the Desert, a romantic drama directed by Werner Herzog about Gertrude Bell, a real-life British emissary to the Middle East, and it was all so sumptuous and sweeping-desert sunlight and camels and gorgeous vistas, and Kidman’s Bell was the most striking element in the frame.
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I was a little nervous at the prospect of meeting Kidman, I admit.